Every week, 15 million garments arrive at Kantamanto market in Accra, and roughly 40 per cent of them leave it as waste. Nii Teiko, founder of KALA BLAQ KINTSUGI, buys the ones the market has given up on. He takes his method from kintsugi, the Japanese practice of repairing broken objects with gold rather than concealing the break. Words by Frida Nakarma Lidbom, episode one of MADE IN KANTA.

Every week, 15 million garments arrive in Accra. Kantamanto is where someone decides whether any of it is worth anything at all.

Made In Kanta is a new NDAANE series, written with Frida Nakarma Lidbom, on the designers and upcyclers rebuilding value inside the largest secondhand clothing market in the world.

Six years of archives. An inventory of Ivorian feminine beauty drawn from television, the press and family albums. Marie-Hélène Tusiama Banimbadio and Tiphaine Tano on memory, posture and what it takes to build something when no one else will. Interview by Eniola Telly, founder of ALMDCN.

From experimental project to showcase of Beninese creativity, FARE embodies sustainable fashion rooted in local craftsmanship. Peter Toni Basengula discusses the pivot from deadstock to indigo, his 100% local production networks, what the FLY program taught him, and what's still missing from Benin's creative scene.

Three organisations, one store in Mayfair, and one shared message. During Black History Month in London, Taking Up Space brought together Black-owned sustainable fashion brands to show that Black voices have been leading the sustainability conversation all along.

Learn what drove Jacqueline Shaw to advocating for sustainable manufacturing and sourcing in Africa